Almost every musician has done it. Almost all of us have made that snap decision to buy a piece of gear without really thinking about it. I did that a few years ago when I snatched up a Hot Rod Deluxe for cheap at Hugo Helmer Music in Mt. Vernon, WA.
Hugo Helmers is actually not a bad little shop for Fender and G&L gear. Their prices are actually pretty good, too. But their shop is very subdued, and when I demo'd the HRDX, I really didn't ring it out. I get really timid and shy about playing in a music store as it is, let alone playing loudly. At low volume the amp sounded awesome. I snatched it up.
At the time, I was leading worship, playing lead guitar for the worship team at VCC Mt. Vernon, and playing in a little indie-pop band called Farewell Addison. I mostly used the amp for the band, because that little amp is LOUD. With a pair of 6L6 power tubes, it pumps out an honest 40-watts of power. After a few shows with F.A., I couldn't stand the thing. The overdrive sounded like you took a bunch of nuts and bolts, and put it into a coffee can and thrashed it around. Worse yet, my pedals and effects sounded terrible through it.
I put it away, letting it sit unused for about three years. I dug it out for three outings that I wanted to take something smaller than my AC30, and regretted it all three times.
I was ready to give up, but read about a few mods to try at the
The Unofficial Fender Hot Rod Deluxe Owner's Guide!
The first mod was to disconnect the negative feedback loop, which is a circuit that keeps the power section from breaking up as quickly as it normally would. However, once the amp begins to clip, it doesn't breakup very nicely at all. This circuit seems to be in place because all Fender wants to empahasize the great "Fender Clean" sound. Well, I'm not all that into the Fender clean thing.
This first mod was important, because it related to my second mod. I wanted to convert this amp to a 15-watt EL84 powered amp. Groove Tubes makes the
928-PR Substi-Tube socket adapters that convert a 6L6 pair to an EL84 pair that is self-biasing. They also claim that it converts the amp to Class-A, but I think that is baloney.
The EL84's helped! Being a Vox fan, I knew they would. The amp began to become musical, but the EQ was hardly responsive. I began to wonder about the speaker.
So on a Saturday afternoon, I rigged up a G12 greenback out of my AC30, and played my HRDX through it. Wow! What a cool vibe. Finally that "quack" that the EQ could not take out was gone, and the EQ actually had some response. I was stoked. My birthday was coming up, and I tipped of the wife about it.
After my birthday, I had the money to get a good aftermarket speaker. However, the G12's in my Vox are British-made speaker. They are pretty top-notch, and the only aftermarket Celestion G12's I could find were Chinese re-issues for $120, or originals on Ebay for mega-dough. But then I read up on the Eminence Private Jack. It's a 50-watt clone of the G12 Greenback. Wow, perfect. It will work both with the EL84's or with the 6L6's if I need to pop those in for more power.
I got the speakers installed, and went away for a week on a trip to Indiana. After a wonderful time there, I returned to LA. I was chompin' at the bit to try out this new speaker. On Thursday, I had a chance during worship practice, and I was blown away. Wow, what an awesome difference. Suddenly I like my Hot Rod Deluxe! After being so ready to sell this thing off, I now am excited to explore more sonic joy with this thing.
A success! Finally. Of course, after adding tube sockets and a new speaker, I could have bought an AC15 reissue, but now I have something even more unique. It's like a Fender/Voxy hybrid. It's actually a bit Mesa-sounding. It sounds amazing with a Fulldrive II in front of it. Now if only I could figure out how to make a buck on the OEM speaker I just took out of it. Anybody want a real bad sounding speaker?
Labels: Gear